Rousseau may have worked full time at the Customs office, but I don't care - I don't think you can develop as an artist if you only paint on weekends. I write, design and produce their monthly newsletter, plus any miscellaneous brochures and flyers they need.įreelancing isn't the most secure way to make a living, but it gives me time to paint. It's a small city about ten miles outside of Portland a bedroom community, struggling with too much growth and too little identity. I'd been stymied so long that the screen saver came on, replacing my words with winged toasters and floating toast. I sat in front of my computer, staring alternately at my headline: Future Development: Who Pays? and the information supplied by the City Engineer, and trying to think of a way to lead into the story. The day the whole thing started, the city of Westbank seemed to be keeping its clothes buttoned up to the neck. was only one of them.' I liked the idea that anybody's life could turn into drama, but I felt different about it when it happened to me. At the end, they'd show a big-city skyline, and a portentous voice would say, 'There are a million stories in The. When I was a kid, I used to watch an old TV show called The Naked City. This is the first publication of this excerpt from an unfinished mystery novel. The political message of the series is also an act of testimony and homage about the daily lives and struggles of New Orleanians in a post-Katrina era.Co-author of Merry Go Round in Oz and The Forbidden Fountain of Oz. With this methodology, we examine the film-makers’ perspective, and uncover the political intentionality of the series as an act of denunciation against the dysfunctions of the local, state, and federal institutions in responding to the Katrina catastrophe. Relying on the work of Schaeffer and Esquenazi, this article links fiction to reality with an analysis of historical truths though fictional characters’ narratives. Yet it also depicts day-to-day life in New Orleans in the aftermath of Katrina, referencing real events, real people, real places, and real cultural symbols. Categorized as a drama by David Simon, the series is a work of fiction. It is the oldest African American neighborhood in the United States, the birthplace of the Black civil right movement in the South and the home of Jazz.

Located in the heart of New Orleans, Tremé is a neighborhood known for its unique cultural, social, and historical context.

Author of the television drama The Wire, David Simon with Eric Overmyer launched a new series entitled Treme on the American channel HBO in April, 2010.

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